sick.
(via tierdropp)
PFW: Vivienne Westwood AW 2012
“Looking back to the heroes of the past they looked so incredible in their clothes. Imagine them live and in front of you - you would think you were on another planet,” explained the designer in her show notes. “But we can never repeat, we are swept along by the changing times and our own experience. When we try to imitate, we find ourselves doing something new. I see fashion as a proposal, a way for people to look more wonderful.”
Her way of making them look wonderful this afternoon revolved around the 17th Century - due to her involvement half way through the creation of the collection with making costumes for comedy The Man of Mode, which originates from that time. That and some green strobe lights - of course it wouldn’t be the 17th Century without them.So this is what London in Paris is like.
via vogue
Magdalena Frackowiak in “The Amsterdam Chainsaw Masacre” photographed by Josh Olins and styled by Katie Shillingford for Dazed & Confused‘s February 2010 issue. Frackowiak wears the tulle heavy, hole laden collection by Viktor & Rolf.
Sara Blomqvist’s classic femininity has earned her everything from runway spots and off the runway, she’s noted for her girl-next-door minimalism and achievable style. Blomqvist’s off-duty penchant for jeans, blazers and bulky scarves help anchor her delicate features. And while her combination of classic pieces channel an all-American aesthetic, she always adds a surprising twist like a leopard bag that keeps street style photographers on their toes.
PFW: Stella McCartney AW 2012
Stella knows how to dress women and always manages to strike the right balance between smart and sporty – and this collection was no different, honing in on that streamlined silhouette she does so well and wrapping it up in spongy fabrics and trompe l’oeil leaves, slouchy trousers that bagged at the crotch or those that were skinny, long and tight.
Typical Stella, but taken up a notch, it was feminine and modern and, as Vogue’s Lucinda Chambers, described “what everyone wants to wear right now”.
via vogue
PFW: Yves Saint Laurent AW 2012
Stefano Pilati bid adieu to Yves Saint Laurent with a dark, sexy A/W 2012 in all moody iterations of womanly dress. There’s both a sultry undercurrent and a definitive strength that runs throughout Pilati’s finale. It’s a give and take — boxier leather jackets and trousers, and sharp outerwear have as much of a place as slinky dresses and pencil skirts constructed in light-reflecting mesh. Even when Pilati zeroes in on more masculine construction, he never misses the mark of a woman — nearly every look is completed with a wide belt to accentuate the waist and plush fur accents are thrown effortlessly over shoulders. It’s the kind of thing that — without being glaringly obvious — speaks to the power, the allure of a woman. It’s not done up in bells and whistles, but you have a sense that it takes a certain kind of confidence to pull off the line’s structured, streamlined white suit or ultra-low necklines — and it’s clear Pilati’s florals are crafted for women, not girls.
via vogue
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Camille from camilleovertherainbow.com
All that glitters is gold.
The final walk at Elie Saab’s Fall/Winter 2012 Paris Fashion Week runway presentation.
whoa
(via h-i-l-i-k-u-s)
rawr
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